Hello pen friends.
I do sometimes use expensive materials for pen making as I don’t get out much, and turning a piece of high value celluloid is as close as I get to an extreme sport!
It’s a vintage celluloid called “Wild” that came from the OMAS pen factory when they closed down. It’s been on my shelf for a while but decided to make one as my keeper pen for 2024.
The barrel and cap are both fully lined. I did this to reinforce the celluloid and also to make the threading a little cleaner. Threading celluloid or cellulose can create a slightly “grippy” thread.
I’ve used a steel bock 6 nib and will swap this out for a titanium flex version when I can find where I’ve put it.
The finials and section are black and red acrylic. I’ve avoided using silver or gold coloured metals to give me options in the nib colour. However they are removable so could swap them for alternatives if I wanted to. I’ve also domed the finials which I don’t do very often.
Comments and questions are welcomed.
Cheers
Ash
I do sometimes use expensive materials for pen making as I don’t get out much, and turning a piece of high value celluloid is as close as I get to an extreme sport!
It’s a vintage celluloid called “Wild” that came from the OMAS pen factory when they closed down. It’s been on my shelf for a while but decided to make one as my keeper pen for 2024.
The barrel and cap are both fully lined. I did this to reinforce the celluloid and also to make the threading a little cleaner. Threading celluloid or cellulose can create a slightly “grippy” thread.
I’ve used a steel bock 6 nib and will swap this out for a titanium flex version when I can find where I’ve put it.
The finials and section are black and red acrylic. I’ve avoided using silver or gold coloured metals to give me options in the nib colour. However they are removable so could swap them for alternatives if I wanted to. I’ve also domed the finials which I don’t do very often.
Comments and questions are welcomed.
Cheers
Ash