alan morrison
Fellow
Thanks Ian. With hindsight I should have just used the same beech that I used for the background of the knots.I still think it looks good Alan but either go sycamore or Boxwood for the “spacers” so it stands out more maybe ?
just my 2p worth …….
With all due respect Alan , I disagree. The beech would not blend due to the glue lines around the knot and either a very white timber or a yellow one like Boxwood would contrast gently with it . I think that would enhance it and as neither sycamore nor Box have prominent grain the Knots would stand out more .Thanks Ian. With hindsight I should have just used the same beech that I used for the background of the knots.
Thanks for your comments, Ian. I get what you say about the glue lines, and agree with you.With all due respect Alan , I disagree. The beech would not blend due to the glue lines around the knot and either a very white timber or a yellow one like Boxwood would contrast gently with it . I think that would enhance it and as neither sycamore nor Box have prominent grain the Knots would stand out more .
Either way you’re streets ahead of me on technique
I think it looks greatThanks for your comments, Ian. I get what you say about the glue lines, and agree with you.
I challenged myself to make an over/under knot, which took a bit of working out, but the placement of the knots in a pen were not given the same consideration.
I will give this another couple of goes and see if I can sit the knots in a pen better.
I will take on board your comments. I think that maple may work as well.
Yes maple is another strong contender as again no prominent grain to distract from the precision of the knot, which is excellent.I think it looks great